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In highschool, Meg T. Justice spent numerous hours sketching geese alongside the Tennessee River in Scottsboro, Alabama, capturing their superb quirks. As of late her major medium is printmaking, however she nonetheless delights in waterbirds. She selected the Hooded Merganser for this print due to the male’s placing plumage.
“I do some colour printmaking,” she says, “however I’m actually extra drawn to the black and white and creating texture and distinction with the ink.”
Justice started with sketches of her extravagantly crested topic and his environment and transferred a closing line drawing onto a linoleum block in reverse. She then used quite a lot of gouge instruments to carve out the design and rolled ink over uncut areas. Lastly, she pressed the block onto paper, making a mirror picture of her carving.
The ultimate product is an exquisitely wrought merganser in a richly detailed ecosystem the place spidery tendrils of untamed rice and finely rendered freshwater snails and small fish abound. As a substitute of a horizon line, Justice centered the print across the water line, with practically as a lot house allotted to life under the floor as above—becoming for a hen whose existence is so carefully tied to the aquatic realm.
Though Hooded Mergansers aren’t a species of conservation concern, they’re weak to water air pollution, as are the crustaceans and different small creatures they eat—and us. “The river itself, that’s what all of us drink,” Justice says. Her print underscores this intimate connection between water and life.
This piece initially ran within the Spring 2024 difficulty. To obtain our print journal, change into a member by making a donation today.
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